Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News Editorials & Other Articles General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search

Writing

Showing Original Post only (View all)
 

cali

(114,904 posts)
Fri May 2, 2014, 02:23 AM May 2014

A piece I wrote recently on art [View all]

What do you want from art?

And I mean the full spectrum of art. take your pick. I want the same thing from any form of art- whether it be a stone wall or piece of literature, a movie, a cartoon, a tv show, dance, photography.....

I want it to move me. I don't mean emotionally necessarily. More like shift my perspective somehow- make me see or hear or feel from another place; no, not necessarily the artist's perspective.

I've had the experience of initially being irritated by a piece of art that over time, I came to love.

I was at the Hirshhorn Museum some years ago and saw a major exhibit by an artist named Wolfgang Laib. The exhibit contained a lot of his installations, The one that I recall irritating me particularly was one of his "milkstones". I'll let wikipedia take it for a moment:

He made the first of his milkstones in 1975. They consist of a rectangular piece of polished white marble. The top surface of which is sanded to create a slight and almost unnoticeable depression. Laib then fills this depression with milk, creating the illusion of a solid object. While the artist makes the initial pour, it is the responsibility of the gallery, museum, or collector to empty, clean, and refill the marble on a daily basis while the work is on display.
http://en.wikipedia.org/wiki/Wolfgang_Laib

But irritation can be significant and can actually indicate quite a bit about the viewer. I couldn't stop looking at this piece of milk/marble; at the fluid interaction between, well, fluid and stone, how it was almost imperceptible in the stillness of the room, that there was a liquid held in tension on the marble.

So I guess I don't hew to the "I know what I like" school of looking/listening. I'm willing to question my own reaction to art.

Laib also works with beeswax and pollen a lot; creating sort of anti-Tibetan sand mandalas. Tibetan sand mandalas- at least the ones I've seen- are all very intricate and include a rainbow of colors. The pollen creations of Laib's that I saw at the Hirshhorn, were large, bright yellow, in squares and rectangles with blurred edges. One color. No intricate design. And yet they reminded me of sand mandalas in their deliberate impermanence. At the same time they reminded me of some of Mark Rothko's paintings; particularly an untitled yellow study. Not bad company at all.

Make me look. Make me listen. Make me think.

We get so used to perceiving in certain patterns- the rutted, well worn neural pathways in our brains. When I was a kid, I called it "the second story syndrome". I was about 11 or 12 and I was walking through the town in CT that we'd moved to a couple of years prior.and I suddenly noticed that I no longer noticed the second stories of the building in the small town. I'd grown so used to them, and I was distracted by what was in store windows, people on the streets, etc. Not seeing the woods....

Lazy brain. Magpie, distractable brain.

In any case, back to art. I don't mean that the person experiencing art, shouldn't be discerning. Of course, there's art that doesn't interest me, doesn't resonate. That's fine. We all experience things through our own filters. It's just about keeping those filters as unsmudged as possible.

I'm willing, at least with literature, to keep trying and trying. I have, for example, yet to fall in love with Moby- Dick. I've tried, and I'll try again, not because it's so iconic, but because people I know and whose opinion on such things I respect, have such affection for that novel.

What about absolutely loathing a work of art? I saw David Mamet's play Oleanna in London a long time ago and I really disliked it. It actually pissed me off. But I remember it. It evoked a strong emotion. Disliking art is not the same thing as being indifferent. Given the chance, I'd give it another shot.

There are so-labelled Outsider artists, or naive or primitive artists, if you will. Folks who create work and who are often largely untrained. I think of myself as an outsider art appreciator in the sense that I have no training in art appreciation or music appreciation or acting or film or or or.

Still, make me look. And then, make me see something..... differently.

6 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
Latest Discussions»Culture Forums»Writing»A piece I wrote recently ...»Reply #0